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Duchess in Love

A Duke in Retreat

Gina was forced into marriage with the Duke of Girton at an age when she'd have been better off in a schoolroom than a ballroom. Directly after the ceremony her handsome spouse promptly fled to the continent, leaving the marriage unconsummated and Gina quite indignant.


A Lady in the Middle

Now, she is one of the most well-known ladies in London ... living on the edge of scandal -- desired by many men, but resisting giving herself to any one.


A Duchess in Love

Finally, Camden, the Duke of Girton, has returned home, to discover that his naïve bride has blossomed into the toast of the ton. Which leaves Cam in the most uncomfortable position of discovering that he has the bad manners to be falling in love -- with his own wife!

Duchess in Love is Book 1 of the Duchess Quartet. Read more from the Duchess Quartet.




December 2002

Kylie pointed out that on page 127, Gina is waiting with "ill-concealed patience" for Annie's return. That should be impatience—though wouldn't it say nice things about Gina's personality if she were so patient that she couldn't even conceal it?


And Kylie caught another one too: On page 309, Gina thinks anxiously that she could have already become a marquess. No, she couldn't! She'd be a marchioness by now. A marquess is male and without a sex change, Gina doesn't have a chance.


Molly noticed that in Duchess In Love , Stephen Fairfax-Lacy's title is Earl of Splade, but in his own book he is the Earl of Spade. Oh dear. I have to say, "Splade" is not a very good name, and I don't know what I was thinking. At least, "Spade" is a useful garden implement!


And finally..the erratum! As soon as I’m informed of typos, I have them corrected in the next printing. But that leaves hundreds of thousands of books out there with errors. Page 149 in the first edition reads: “If Sebastian had ever seen death in another man's eye, it was in those of the marquess.” But we’re in Cam’s point-of-view, and that sentence should read: “If Cam had ever seen…” Again, on page 227, Miles is sitting with his wife Esme and the text says that “he unthinkingly clutched Gina's hand so hard that it began to ache.” But he’s clutching Esme’s hand!


I wouldn't want to say that the novel was universally loved, because it wasn't. But hiring a research assistant caused a great fall-off in the number of vituperative letters. We still let a bunch of mistakes get through though. One particularly angry (and yet rational) reader pointed out on Amazon that one of my characters talks of going "up two sizes." Oops! There were no dress sizes in those days.


And, since she bothered to type out the whole thing below, I thought I'd just put it for you to read as well, from a Reader living in a small rural village in the English midlands (and doesn't that sound intimidating to an American living in New Jersey!):


"I am the Duchess of Girton ... I have been the duchess for twelve years and I've run the estate for eight, since your father (eg the duke's father) became incapacitated." Wait a minute! The duke must have died 12 years ago for Cam and Gina to become duke and duchess - he couldn't succeed to the title just because his father was incapacitated.


She is obviously correct.



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Duchess in Love
Book one in The Duchess Quartet
I'm the kind of writer who can't seem to think in terms of one book: I invariably design a world that takes up three or four books. This leads to a virtual web of connections between my books. So what I offer below is something of a family tree, a way of chasing the characters whom you particularly like through several books, or of figuring out why a character's name sounds so very familiar to you.

Warning! In describing relations between characters, I may wreck a book for you by making it clear who someone marries, or the outcome of a book. Please do not read about The Inside Take if you're wary of knowing who is paired with whom!

» If you’d like to see more of Carola, read the novella “A Fool Again.”  Since this book takes place after Duchess in Love, Carola and Tuppy are happily married. Tuppy doesn't appear, because he's off fishing, but Carola is happily knitting tiny booties!

» The Duchess in Love quartet should be read in this order: Duchess in Love, Fool for Love, A Wild Pursuit, Your Wicked Ways.

» In Duchess, Gina's husband Cam returns from Greece and travels to a house party with his cousin, Stephen Fairfax-Lacy. Stephen is the hero of A Wild Pursuit, the third book in the series.

» By the end of Duchess in Love, Esme is carrying a child. If that child is male, her deceased husband's nephew will not inherit his estate and title. In Fool for Love, that heir, Simon Darby, travels to Esme's estate, bringing his two small sisters with him. Simon's story makes up Fool for Love.

» I wrote most of Duchess having no idea what was inside the Aphrodite statue. It's a good way to give oneself an ulcer as a writer. But, as Stephen King writes in the incomparable On Writing: "why worry about the ending anyway? Why be such a control freak?" By the time I got to the finish it was absolutely clear that what was inside the Aphrodite would be the thing that Gina most needed, and I finally knew what that was.

» The last chapter of Duchess in Love is a direct result of going to see The Mexican with my sister. I translated a plane into a carriage and voila!

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Waldenbooks Bestseller (9,10): two weeks

New York Times Extended Bestseller List (35)

USA Today Bestseller (144): one week

Best Romances of 2002 Oakland Press

Romantic Times Top Pick & Kiss Award

Romantic Times Best Regency-Set Historical Romance of 2002

"Duchess in Love is a sparkling, captivating story. The dialogue is witty, the characters appealing and the plot innovative enough to rank it among the best romances of the year."

- The Oakland Press, (posted December 15 2002)

"What a delicious Christmas present or New Year's gift Eloisa James' new book Duchess in Love would make for any romance fan on your list. It's delightfully filled with unforgettable characters that leap right off the pages into your heart... this is a book that is fun, witty, and filled with sensual romance. Duchess in Love will tickle your funny bone and wrap your heart in seductive loops."

- Suzanne Coleburn, Reader to Reader (posted December 15 2002)

"Duchess in Love lovingly honors Jane Austen and Georgette Heyer in a novel that took me back to much earlier Regency reading experiences. Relying on character and dialogue to move the story has become something of a scarcity in historicals set during this period. And that's just what James does so well in her newest effort. She successfully intertwines the stories of multiple characters with wit and intelligence as they interact and intersect at a house party."

Grade: B+

- Jane Jorgenson, All About Romance (posted December 14, 2002)

"An intriguing plot, witty narrative and dialogue, and well-developed characters make Duchess in Love a thoroughly enjoyable read. Love, passion, a bit of suspense, and a dash of farce are deftly blended into an entertaining look at the peculiarities (to our modern sensibilities) of aristocratic marriages. Don't miss this enjoyable tale!"

- HOST EBK Susan, Romance Fiction Forum Team Captain, America Online's Romance Fiction Forum (posted December 2002)

"Well-rounded characters, lively narrative and dialogue, and excellent plotting make Duchess in Love another thoroughly enjoyable romance from this talented author. It beautifully combines romance, passion, suspense and wit (with occasional touches of sophisticated farce), amid the peculiarities of Regency marriages. Don't miss this winner. "

- Jane Bowers, Romance Reviews Today (posted December 2002)

Starred Review
"Fresh and witty, this high-spirited Regency-era romance gives a tried-and-true formula a merry spin...Chatter among Gina and her friends has the modern ring of a Sex and the City episode, and James's cheeky, sometimes sly humor makes for frequent laugh-out-loud moments. Avoiding easy stereotypes, James fleshes out all of her characters and gives them depths of emotion that romances seldom allocate to supporting characters. Though each chapter is headed by a droll description of the events to come, readers may find themselves too caught up in the snowballing action to take much notice. "

- Publisher's Weekly (posted November 4, 2002)

4 1/2 Stars and a Top Pick
"Eloisa James knows her time period well and has turned this fairly typical plot into a delightful and witty romance centering on Gina and Cam. She also includes several secondary romances and plenty of sizzling dialogue and love scenes, all told with thoroughly modern sensibilities."

"I found these engaging characters' intelligence and compassion refreshing, and while the plot may not be new, the characters are far from stereotypical, tedious or ordinary. The amusing, witty dialogue will make you smile as you follow Cam's schemes to capture Gina's heart. A unique and delightful tale."

- Romantic Times BOOKreviews (posted October 2002)

"Reminiscent of a French farce, Duchess in Love is a delightful read. Ms. James perfectly captures the nuance of the Regency era as she reveals the underlying sadness of the failure of these arranged marriages"

- Old Book Barn Gazette, (posted December 2002)

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Duchess in Love


Cam and Gina were married at a very young age (eighteen and twelve, respectively). The evening of their wedding, Cam jumped out the window and fled to Greece, where he’s lived ever since, sculpting marble. At least, until Gina writes him to say that she’s fallen in love and would he please return home and annul their marriage. But when he sees Gina, he feels entirely differently about the annulment…

“What do you use for light in Greece?”

“Candles…the sun….the skin of a beautiful woman.” Cam bent down and kissed Gina’s cheek, so swiftly that she hardly felt the imprint of his lips.

Gina looked down at her hands for a moment. She’d managed to get an ink stain on her wrist. “Cam,” she said quietly, “we must stop this — behavior.”

He turned around from where he was standing, surveying Lady Troubridge’s books. “What behavior?”


“Ah, but I like to kiss you,” said her reprobate husband.

Gina shivered. That would result in a lonely bed, tending to the estate manager’s letters while her husband bathed in the Greek ocean. She looked away, tightening her lips against the sight of him.

But he was moving, pulling her to her feet. “Gina,” he said, and his voice was deep and full of passion. He kissed just at the corner of her mouth, and her whole body trembled. “Gina,” he said. “May I accompany you to your chamber?”

She trembled in his hands like a bird caught on its first flight. He trailed kisses down her high cheekbones. “I want you,” he said, in a voice burnished and dark, a voice that spoke of laughter, irresponsibility, naked statues, and the Greek sun.

It was all wound up in Gina’s mind: the statues, the naked women, his mistress Marissa waiting for him—

She pushed his hands away. Her cheeks were flushed, her lips trembling, but her voice was firm. “That is not a good idea.”

His face became instantly guarded and casual. “Why not? We could both find pleasure without anyone being the wiser.”

Her eyes were scornful. “You would like to take pleasure, and leave without injury. That’s just like you, Cam.”

“I don’t see anything wrong with it.” He fought to keep his temper.

“Perhaps there isn’t anything wrong,” she said, “from your point of view.”

“That’s quite a little moralistic statement.” His voice was cruelly polite. “May I remind you, lady wife, that I have had every opportunity, and legal right, to take your body wherever I please? But I have chosen to ignore the signs of your oh-so-willing character, although I have had the distinct impression—”

She interrupted. Duchesses never interrupt, but this one was losing all claims to dignity. She was rosy with pure embarrassment. “I enjoy kissing you.” Her voice shook. “I enjoy the way you, the way you…”

He stared at her, silenced by her truthfulness.

“But you’re just talking about pleasure, not anything else,” she continued, meeting his eyes.

“What more do you want?” he asked, genuinely bewildered.

“I am twenty-three years old. I wanted to live with my husband and have children together, which is not an unreasonable request. What you offer is pleasure alone. You are too good at ignoring unpleasant truths, such as the fact that you’ve had a wife sitting at home for twelve years while you dallied with your Greek mistress.”

Cam frowned. “You never said that you cared about where I was. You never asked me to come home until you requested an annulment.”

“And would you have returned, had I asked?” She waited, but there was no answer. “Would you have given up Marissa, had I asked?”

He just looked at her, jaw set.

“I believe that marrying is not in your nature.”

Cam had always said that he wasn’t the marrying kind. He had a joke of being the earliest-married among the never-meant-to-be-married. But he didn’t like the prickling feeling it gave him when Gina pointed out his unsuitability.

He rallied quickly, the veteran of a thousand unpleasant family battles. “None of this started with a question of marriage,” he remarked, deliberately pulling down his sleeves and readjusting his jacket. “It is merely a question of desire. Since you are honest, I shall be as well. I want you, Gina.”

He walked a step closer and stared down at her. “I want to plunge inside you.”

She looked away to escape the intensity in his black eyes. He forced her chin back up. “And you want the same from me.” She didn’t answer, unable to balance the scorching glow in her belly and the shrinking humiliation of hearing such a thing said out loud.

“Desire is a normal, human emotion,” he said. “I can certainly understand if you would rather experience it with your future husband than with me.”

It didn’t take a genius to realize that she and Sebastian would never share anything of the sort.

“But there is no need to insult me. As an eighteen-year-old, I did not indicate a wish to marry you, Gina. If I ever have a real wife, a wife I myself chose, I will not leave her for twelve years, nor take a mistress, for that matter. It is not fair to criticize me for breaking vows dictated by my father.”

He let his hand drop.

She felt a wave of shame so profound it was as if she’d been dipped in hot water. “I’m sorry,” she whispered.

“There’s nothing to be sorry for. We’re both victims of my father, two of the many.”

Gina looked at him and knew, in that instant, that she loved him. He stood in the last rays of dying sunlight and there was chalk in his hair. He stood smiling, that lopsided smile of his, and she wanted nothing more than to hold out her arms and say: Come. Come kiss me. Come love me. Take me to your chamber.

The words wavered on her lips, but she couldn’t say them.

He met her eyes. “Marissa is married to a nice fisherman,” he said. “She was my mistress, but I danced at her wedding some three years ago. We had an enjoyable time but our friendship was of no great consequence to either of us.”

“Oh,” she breathed. And she realized that what mattered was love, her love for him. Not the future: the present.

He had her hands again. “I have no right to ask. But may I … may we …” He didn’t seem to know what he meant or how to phrase it. He cleared his throat and put out his elbow. “I will be a sometime husband, Gina. But I would like to be yours. May I escort you to your chambers?”

Gina took a deep breath.

“I believe you may,” she said. Her voice was faint but clear.

Cam looked at her for a moment and then bent his head and kissed her. Gina’s whole body sang at his touch. He turned and wrapped an arm around her waist, and they walked toward the library doors.

End of Excerpt

This is book one of the Duchess Quartet. Read an excerpt from Fool For Love, book two in the set.